Most popular History of art: ancient & classical art,BCE to c 500 CE books

This textbook is endorsed by OCR and supports the specification for A-Level Classical Civilisation (first teaching September 2017). It covers Components 23 and 24 from the 'Culture and the Arts' Component Group: Invention of the Barbarian by Alastair ThorleyGreek Art by Athina Mitropoulos and Laura SnookWhat image did the ancient Greeks have of themselves and others? How and why were men and women represented differently in Greek art? To what extent is modern western ideology still influenced by ancient Greek attitudes towards the east?This book offers both A-Level students and their teachers the opportunity to consider these and many other important questions. The ideas prevalent in fifth-century Athens retain their powerful influence across the modern world, regardless of whether we agree that they should., The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms., Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.

A new history of Roman art and archaeology, from its very beginnings in Etruscan art to the adoption of Christianity.

A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world.

This textbook is endorsed by OCR and supports the specification for AS and A-Level Classical Civilisation (first teaching September 2017). It covers Components 21 and 22 from the 'Culture and the Arts' Component Group:Greek Theatre by James Renshaw and Laura SwiftImperial Image by Robert Hancock-JonesWhy was tragedy and comedy so central to Athenian life? How did drama challenge Athenians to reflect on their way of living? How did the emperor Augustus present himself as the restorer of Rome's greatness? To what extent did he provide an example to later political figures as a promoter of his regime? This book guides AS and A-Level students to a greater understanding of these issues. The Greek Theatre chapter explores the festival context in which tragedies and comedies were performed, and then analyses three plays: Oedipus the King by Sophocles, Bacchae by Euripides and Frogs by Aristophanes., The Imperial Image chapter analyses the self-presentation of Rome's most dynamic emperor, who claimed to have found Rome `a city of bricks, but left it a city of marble'. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images., Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.

The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation. But time has taken its toll; damaged statues have lost their colour and wall paintings have been totally destroyed. And yet sympathetic study of surviving sculpture and of drawing on vases can give extraordinary insight into and appreciation of these once brilliant works This book, designed originally for students, introduces the reader to Greek sculpture and vase painting in the critical period from the eighth to the fourth centuries BC., The works discussed are generously illustrated and lucidly analysed to give a vivid picture of the splendor of Greek art. The up-dated second edition includes a new chapter examining art in Greek society, a timeline to help relate artistic development to historical events, an explanation of how dates BC are arrived at, a brief overview of Greek temple plans and a further reading list of recent books. This clear, approachable and rigorous introduction makes the beauty of Greek art more readily accessible and comprehensible, balancing description with interpretation and illustration, and is an invaluable tool to help develop insight, appreciation and comprehension.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans.

Discover some of the finest masterpieces of Ancient Egypt. This catalogue gathers sarcophagi, statues, murals, and other timeless treasures by unknown masters from the Old Kingdom to the Late Period.

For millennia, the culture of the ancient Egyptians has fascinated historians and spiritual seekers. The 20th anniversary edition of this seminal work includes all-new material analysing the progress in modern Egyptology

An introduction to Andean art and architecture that describes the varied artistic achievements of the Chavin, Paracas, Moche, Nasca, Chimu and Inca cultures, among others. It deals with the discoveries and advances in the field.

A fascinating look at how Classical sculpture inspired Rodin and his work

This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Emphasizing context and function, Barringer explores the purpose and use of buildings and objects within their particular time and place, leading students to a rich sociohistorical understanding of Greek art.

This title presents a civilization that never ceases to amaze scholars, enthusiasts and the general public by providing us with exceptional treasures.

Mary Ellen Miller's rich visual and scholarly survey of pre-Hispanic art and architecture, including the most recent archaeological finds.

This book provides a provocative and authoritative analysis of the only definitive brothel from Greco-Roman antiquity. Scholars and fans of the Greco-Roman world, women's history, and the history of prostitution will find this an essential read. All readers will appreciate the accessible writing style and numerous illustrations.

We now know conclusively that Greeks in fact lavished their sculptures with realistic colour paint, and also worked with a wealth of other materials on a major scale, including wood and precious metals. This edition showcases the artistic endeavours of the ancient Greeks.

Aimed at undergraduate students studying the history of the late Roman Republic and the Principate of Augustus. With almost two hundred coins illustrated and explained, the book provides a self-contained guide to all the relevant numismatic evidence for this period and connects coinage to broader historical debates.

A new edition of this accessible survey of the Greek world, covering two thousand years of material culture.

A history of the famous Terracotta Army in Xi'an, China, exploring what we now know about it, what we still do not know and the theories that surround its creation.

This book is for students and scholars of ancient civilizations who would benefit from an approach to Ancient Greece which compares anthropological approaches to other early civilizations, including ancient China, the Maya, the Inca, the Harappan, Ancient Egypt, Ancient Japan.

Since the '90s, Sandro Vannini has created complete photographic reproductions that reveal murals and artifacts in unprecedented detail. Marking the centenary of Howard Carter's first expedition and a series of international exhibitions, this comprehensive guide combines contemporary understanding of ancient Egyptian afterlife with Vannini's...

A synthesis of research on the material culture of Greece in the Archaic and Classical periods. The book shows how material evidence can be used to address historical questions for which literary evidence is often insufficient, and situates Greek art within the broader field of Greek material culture.

The churches of Rome constitute arguably the most important manifestations of art and architecture in the Western world.

This second edition of the Guide to the Getty Villa, published in conjunction with the long-awaited reinstallation of the Villa collection galleries, offers readers an engaging introduction to the Villa's construction and history, as well as updated guide to its gardens, historical rooms, and galleries.

A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.

Over 50 papers, first presented at the international congress `Greek Art in Motion' (Lisbon, 2017) in honour of Sir John Boardman's 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.

"Published on the occasion of the exhibition The Bold Brush of Au Ho-nien presented at the Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture, May 31-August 18, 2019."

An illustrated guide to Celtic history and culture, it charts their way of life from farming to feasting, their wars, their gods, and their superb craftsmanship in metal, wood and stone. Also highlighted is their life under Roman rule, particularly in Gaul and Britain, and the continuing traditions in Ireland after AD 400.

This look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with the human portrait, it highlights the re-discovery of Classical art in the modern world.

This new history of over 5000 years of African art reveals its true diversity for the first time. Challenging centuries of misconceptions that have obscured the sophisticated nature of African art, Peter Garlake uses the latest research and archaeological findings to offer exciting new insights.

Weary of what he called the "tyranny" of western art, the author first visited Turkey in 1975. But Turkey surprised him and he delighted in the unexpected wealth of Greek, Roman, Byzantine and Islamic cultures there, returning three of four times a year until 1990. This book presents a portrait of Turkey and its artistic heritage.

What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

A visually stunning and thought-provoking exploration of the human condition seen through ancient Greek eyes, with a particular focus on the human form.

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Bringing together in a sustained analysis the roots of subjectivity across media, Guy Hedreen offers a new way of studying the relationship between poetry and art in ancient Greece.

This book provides an accessible and thorough account of important theoretical approaches to the study of Greek and Roman art, with particular reference to mythological imagery, leading to a new means of interrogating ancient visual culture. It is written for a readership in a range of disciplines.

This book fully documents an outstanding collection of ancient Roman statues acquired by Henry Blundell of Ince Blundell Hall on his Grand Tour visits to Italy in the late eighteenth century.

The great river civilization of the Oxus is one of the forgotten jewels of the ancient world.

The story of an object once described as 'the finest Greek vase there is', of the culture that produced it, and of the remarkably enduring influence of the scenes depicted on it.

The reliefs of the column of Marcus Aurelius in Rome are used extensively for the illustration of Roman soldiers. However, there is no direct comparison between this work of official Roman art and the archaeological finds. This book aims to address this lacuna.