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Most popular Early music (up to c 1000 CE) books

The most popular Early music (up to c 1000 CE) books currently available. Updated weekly.
End of Early Music: A Period Performer's History of Music for the Twenty-First Century
Early Music: A Very Short Introduction
In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals.
Old English Organ Music for Manuals Book 6
Composing Capital: Classical Music in the Neoliberal Era
Composing Capital: Classical Music in the Neoliberal Era
Oxford History of Western Music: Music from the Earliest Notations to the Sixteenth Century
Originally published: 2005. New introductions and prefaces added to each volume.
Byzantine Neumes: A New Introduction to the Middle Byzantine Musical Notation
Presents a key to the deciphering of melodies written in the Middle Byzantine notation. This title offers an introduction to Byzantine chant in a wider sense, dealing with topics such as chant transmission before the neumes, the varieties of Byzantine musical notations, words and music in Byzantine chant, and more.
Ancient Greek Music: A New Technical History
This book offers a fundamental reworking of the history of Greek music from the classical period to Roman times. It explains anew the development of ancient melodic notation, embedding it in a context of professional music-making, in a musical culture determined mainly by the dominant instruments, the lyre and the aulos.
Beating Time & Measuring Music in the Early Modern Era
Mozart's Music of Friends: Social Interplay in the Chamber Works
Using the metaphor of artful conversation, this study examines chamber music in Mozart's period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyze selected musical extracts in terms of social interplay.
Recomposing the Past: Representations of Early Music on Stage and Screen