Most popular Conservation, restoration & care of artworks books
The most popular Conservation, restoration & care of artworks books currently available. Updated weekly.
Can not-quite-perfect be enough? Big-hearted novel about motherhood, community and figuring out what's really worth fighting for.
Lavishly illustrated overview of some of the most significant Chinese wallpapers surviving in the British Isles
A handbook for curators and curatorial students, that maps out every stage of the exhibition-making process from initial idea to final installation. It traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator, including as custodian, interpreter, educator, facilitator and organizer.
The newest addition to the Artist's Materials series offers the first technical study of one of Australia's greatest modern painters.
A collection of studies at the cutting edge of art conservation and the scientific examination of paintings
A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication
The conclusions of an important interdisciplinary approach to Michelangelo studies conducted by a team of international experts from fields as diverse as art history, conservation science, anatomy and technical archaeology.
A guide to the techniques, methods, and processes of photographic conservation and preservation. It covers the Terminology, Positives, Negatives, and Conservation. It includes chapters that focus on specific processes - such as daguerreotypes, albumen negatives, and black-and-white prints.
Using criteria, such as comfort, reinforcement, and meaningfulness, a group of museum professionals have produced a useful tool for other museum professionals to better evaluate the effectiveness of museum exhibitions. This step-by-step approach to evaluation of exhibitions is useful for museum directors, exhibit developers, and evaluators.
The destruction of ancient monuments by the Taliban and the Islamic State have shocked observers worldwide. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know (R) analyzes continuing threats to our heritage as well as a balanced account of treaties and laws, collections past and present, forgeries, and other controversial issues.
What is Venice worth? To whom does this urban treasurebelong? This eloquent book by the internationally renownedart historian Salvatore Settis urgently poses these questions,igniting a new debate about the Pearl of the Adriatic andcultural patrimony at large.
The next title in the respected Artist's Materials series offers groundbreaking analysis of Sam Francis's working methods and materials.
An exciting new approach to understanding the trade of antiquities in early modern Rome traces the journey of objects from discovery to display.
Scientific concepts are basic to the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.
Aimed at conservators who do not always have a scientific background, this book presents the material science necessary to understand the properties, deterioration and investigation of textile artefacts. It also aids understanding of the chemical processes during various treatments, such as cleaning, humidification, drying, and disinfestation.
Covers the aspects of Skin and Leather preservation, from Cuir Bouillie to Bookbindings. This title offers discussion of the technical and chemical elements necessary in conservation, including Fish and Reptiles, Taxidermy and Furs. It is useful for conservators, curators and collectors.
Features important tapestries from major European collections showing the world-class research - scientific, artistic and historical - applied to their preservation.
This volume provides a collection of texts on the conservation of art and architecture. Aimed at students of art history as well as conservation, the book consists of 46 texts in which art historians raise questions such as when to restore, what to preserve and how to maintain aesthetic character.
A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.
Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments and historic sites and opened them to the public. This book explains why the collecting frenzy took place. It locates it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism.
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday.
Behind the scenes of one of the most important restorations in recent years - that of the Sistine Chapel, told by Gianluigi Colalucci, the restorer. Includes historical photographs showing the restorers at work.
A comprehensive monograph on the history and restoration of the historic La Gara estate near Geneva and the contemporary re-design of its gardens by Belgian landscape designer Erik Dhont
LeBrun's contributions to the development of the Louvre as a national museum during the French Revolution offer an invaluable record of artistic practices. His publications and inventories of confiscated artworks reflect his abiding interest in the discovery and preservation of great works of art.
Manual for the conservation of ethnographic and multi-material assets.
Celebrating the twentieth anniversary of Venetian Heritage whose mission is to safeguard Venetian cultural legacy as manifested in architecture, music, and fine art this stunning volume highlights the organization s work in restoring, preserving, and promoting the cultural heritage of Venice.
This book is entirely devoted to the research performed over the years into Van Gogh's Sunflowers, an icon of Western European art.
Scientific concepts are basic to the conservation or artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with an essential theoretical background to their work.
A series of case studies to show how the cooperation between science and humanities can lead to the developments in knowledge and conservation of paintings.
Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and pracrical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.
Based on the revised German edition of Max Schweidler's "Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw" - originally published in 1934 - this book includes a glossary, and an illustrated appendix. It complements Schweidler's text in aiding curators, conservators, and collectors on the conservation and restoration of works on paper.
"A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar." What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced.
As Afghanistan recovers from decades of destruction, this book celebrates many of the Aga Khan Trust for Culture's projects to restore monuments and other sites to their former glory.
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.
This practical guide provides artists, conservators, curators and other heritage professionals with tools for understanding, evaluating and approaching the care and treatment of modern metals.